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Margaret Kilgallen, Untitled, c. 2000

-outlying-:

Margaret Kilgallen, Untitled, c. 2000

(Source: outlier, via dellpesce)

— 4 days ago with 441 notes
(via  Co.Design) Redesigning The Bible With Readability In Mind

(via Co.Design) Redesigning The Bible With Readability In Mind

— 5 days ago with 14 notes

(via CLMNZ: HKS Colourmatch 23) Colourmatch is a periodical published by HKS, the offset printing colour system, to publicise a small selection of the 3000 or so HKS colours. Each issue presents a different topic in a specific typographic style. Most of the fonts are produced by smaller type foundries and are shown to their full advantage when printed in spot colours. Since launching Colourmatch, HKS no longer uses any product advertising printed in conventional process colours. Its Colourmatch periodical is a collectable, inspiring medium. Every issue is painstakingly printed in five spot colours and can be subscribed to free of charge at www.hks-farben.de.

— 5 days ago with 12 notes
(via The Art Newspaper) How will 3D printing change the art world? The International Foundation for Art Research (Ifar) will examine this question at an event on 22 July. Artists, lawyers, curators and museum directors will gather to discuss the new technology’s potential to transform artistic production, museum education and conservation. There will also be a live demonstration of 3D printing. -Can anyone make it to this and write about it for us?

(via The Art Newspaper) How will 3D printing change the art world? The International Foundation for Art Research (Ifar) will examine this question at an event on 22 July. Artists, lawyers, curators and museum directors will gather to discuss the new technology’s potential to transform artistic production, museum education and conservation. There will also be a live demonstration of 3D printing. -Can anyone make it to this and write about it for us?

— 6 days ago with 1 note
(via mimamodernart) Last night saw the launch of Chance Finds Us publication.

(via mimamodernart) Last night saw the launch of Chance Finds Us publication.

— 6 days ago with 22 notes
A Whistle-stop tour of The Letterpress Collective. →

via lukepitcher: So for the first day of week two of my placement, I wasn’t actually on placement… But hold your horses! That doesn’t mean that I am without interesting things to share. Today I visited Bristol based letterpress workshop The Letterpress Collective, at Centerspace studios and galleries.

image

I met and had a chat with Nick Hand, the dude behind the project, and had a nosey round the studio. Here he is working away whilst I do the typographic nerds equivalent of rifling through his drawers.

— 1 week ago with 8 notes
IPNCY’s New Prints 2014 on display at Christie’s in NYC! image by Allison Whitworth. (via IPCNY Home | International Print Center NY)

IPNCY’s New Prints 2014 on display at Christie’s in NYC! image by Allison Whitworth. (via IPCNY Home | International Print Center NY)

— 1 week ago with 36 notes
(via artbma-pdp) In June, the Department of Prints, Drawing & Photographs (PDP) at the BMA launched its first social media account with a Tumblr dedicated to highlighting captivating works on paper from the collection.

(via artbma-pdp) In June, the Department of Prints, Drawing & Photographs (PDP) at the BMA launched its first social media account with a Tumblr dedicated to highlighting captivating works on paper from the collection.

— 1 week ago with 32 notes

Printable Robots from MIT: “a new technology that could make it possible for the average person to design, customize and print a specialized robot in a matter of hours.” 

(Source: youtube.com)

— 2 weeks ago with 3 notes
"You imaged the words on this piece of paper. You put the piece of paper down on the board. You took a photograph of the piece of paper, You made a negative. You transmitted it. You reimaged it. You made a plate… Each time you did that, it kind of bled a little. Dow Text was meant to bleed through all of those reimagings and then, when you actually printed it, it looked fine.” Until, that is, the printing process simplified. When there were fewer steps, Dow Text bled less, and suddenly it looked “kind of thin and washed out.” ("What Makes The Wall Street Journal Look Like The Wall Street Journal” The Atlantic)

"You imaged the words on this piece of paper. You put the piece of paper down on the board. You took a photograph of the piece of paper, You made a negative. You transmitted it. You reimaged it. You made a plate… Each time you did that, it kind of bled a little. Dow Text was meant to bleed through all of those reimagings and then, when you actually printed it, it looked fine.” Until, that is, the printing process simplified. When there were fewer steps, Dow Text bled less, and suddenly it looked “kind of thin and washed out.” ("What Makes The Wall Street Journal Look Like The Wall Street Journal” The Atlantic)

— 2 weeks ago with 8 notes
Yeah, that’s drypoint! Martin Lewis, Glow of the City, Drypoint, 1929.

Yeah, that’s drypoint! Martin Lewis, Glow of the City, Drypoint, 1929.

— 2 weeks ago with 84 notes
#drypoint 
(via MAPC // PRINT CITY DETROIT 2O14)Keynote speakers: * Enrique Chagoya, artist * Judy Pfaff, artist * Susan Tallman, Editor-in-chief of Art in Print

(via MAPC // PRINT CITY DETROIT 2O14)
Keynote speakers:
* Enrique Chagoya, artist
* Judy Pfaff, artist
* Susan Tallman, Editor-in-chief of Art in Print

— 2 weeks ago with 18 notes
The Constitution of Moiré (via TIND)

The Constitution of Moiré (via TIND)

— 2 weeks ago with 19 notes